The 50/50 Project – Day 2-5
Here are the pics from day 2-5 from my 50/50 project.
Why the 50mm lens?
I promised to explain this project a bit more so let’s start by the lens choice, why did I choose the 50mm lens? Before (decent) zoom lenses start hitting the market, the 50mm fixed focal lens was considered THE standard lens and it often came bundled with SLR’s like you have kitlenses these days. A 50mm lens on a full frame lens is seen as the most neutral lens that comes close to the way the human eye sees. Our eyes can look at a wider angle but if you don’t count in the blurred edges of our vision, you’ll get a field of view close to that of a 50mm lens. Anything below that focal length can be considered a wide angle lens which distorts the edges and makes things close to the lens look larger than life. Any focal length above 50mm is in the tele range and starts to compress the depth.
I’ve been told that 50mm lenses are about the easiest lenses to construct. Most manufacturers have two or three version of the 50mm in their line-up but there will be at least one affordable lens. The 50mm 1.8 aka plastic fantastic may be flimsy, noisy and feel like a toy you get in your box of cornflakes but it gives you amazing image quality for around 100 EUR/dollars. If your budget is tight, you might at least pick up one of those if you are serious about your photography. On the upper end there are lenses like the 50mm f1.2 L which costs an arm and a leg (and maybe a lung). No doubt they are worth every of the many Euro’s if you use this lens all the time for professional work but I settled for the 50mm f1.4 USM lens. It’s much better build, more accurate in focusing and gives a better bokeh than the 1.8 but costs considerably less than the 1.2.
I used my 50mm mostly when shooting portraits in low light and for portraits with that typical ultra sharp, slightly cold look I find the 50mm gives me. But I never really considered using it a lot for anything else than portraits or for emergency low light work. That’s until I saw Jeff Ascough’s video on Canon’s Professional Network site (his blog is also an interesting read). Jeff says he uses the 50mm for 70% of his wedding images. That really made me smack my forehead repeatedly. Instead of seeing the limitations of this prime lens, I should be using the potential of it. So I started playing with the 50mm a bit in situation where I normally wouldn’t use it and got really excited. It’s wide enough to make establishing shots and it’s long enough to pick out details if you move in a bit closer. Because of the fast aperture you can work in near darkness and isolate subjects from the background. But what I found the biggest asset is that I could work a lot more low profile. I used it mostly on my 5D mkII (without the grip) and noticed that I could get really close to people without drawing too much attention. Try that with a 1D and a 24-70. What I always liked about primes is that they force you to look hard for creative angles that will give you better pictures.
These couple of little experiments tasted like more, so that’s why I came up with the 50/50 project.
































