A couple of weeks ago the kind people of Calumet let me play with the Hasselblad H4D. It wasn’t a real scientific test. Tom and Pieter were trying out some lighting gear and I just snapped away some pics with the Hassy while we acted ridiculous as usual.

We did this just outside the room where Mike Larson was giving one of his great seminars organized by Calumet and Sunbounce. We even borrowed his beautiful model for an hour or so.

So what about the H4D then? First of all, this wasn’t any kind of scientific test. I basically just snapped away some pictures like it was a compact camera and that’s probably not what it was intended for. (Although a friend of mine said he saw a tourist with an H4D in Venice.)

Let’s start with the bad news: ergonomics, build quality and handling sucks big time. And I mean really big time, my 450D feels a lot more professional. The H4D looks and feels like it’s made of the same plastic as my first DSLR, the 300D (aka the digital rebel). It’s very slow in writing pics to the card (not even 1 pic/second). I do understand that these are very large files but then the camera should have a larger buffer / more processing power. The autofocus is slow and simply doesn’t work at all if the subject is backlit. The menus seem to be designed in the 90’s. The LCD-screen is plain rubbish. If Canon would fit such a bad screen on an entry level DSLR, the forums would be filled with complaints. I could not tell anything about the pictures when watching them on the lcd.

Is there anything good to say about the H4D? Well, it has something that my 5D mkII nor my 1D-bodies have … a pop-up flash. Yes, that’s right, a pop-up flash.

But wait, there’s more: Once you download the huge files to your computer, you finally discover what Hasselblad has been famous for during decades: SUPER QUALITY. The resolution is just mind blowing. If I zoom a picture to 100% in Lightroom on my rather recent Macbook Pro, I can go and make myself a coffee while it’s rendering. To some this resolution is essential for their work but most of us can easily get by with a Canon or Nikon. To me, the biggest advantage of the Hasselblad files is the depth. The gradients are way smoother than any digital camera I’ve ever seen.

Since I met him for the first time, I’ve been wanting to take a portrait of Waldemar. You may not know him, but he’s the one that drives the van on the European Sunbounce workshop tours. He’s also the one that bends the ultra strong German steel in the Sun-Movers. He looks like a very tough guy (and I’m sure he is when needed) but he’s also a very generous man. And he’s the owner of a face that just screams to be taken a portrait of.

These were shot outside in the middle of the day. I underexposed the ambient so it didn’t play any role in the picture. We lit this with just one beautydish overhead.

I know the H4D is not supposed to be a replacement for a 5D mkII. It’s probably expected to be used tethered to a computer, in a controlled environment. But still, for that price I would have expected a decent construction, good lcd and excellent ergonomics. I wouldn’t even mind if they would have to drop the pop-up flash for that. If you need the resolution and/or the depth it’s probably still worth the hefty price tag and I’m not sure if the other digital medium format solutions are any better.

Conclusion: The H4D is certainly “haute cuisine” when it comes to image quality, too bad you have to consume it with a plastic fork on a cardboard plate. But still, I wouldn’t hesitate to rent one, if I need the image quality.

As you know I’m very much in favor of photographers getting together and sharing their knowledge over a few beers. But don’t just stick to the beers and shooting for fun. One of the best ways to learn something is to join other photographers on real assignments. And if you’re there you might as well assist too.

Pieter dropped by for a coffee and a chat because he had to shoot one of his famous L-style Sessions in my neighborhood. We meet pretty often but I’ve only seen him at work a few times. Since I’ve had nothing to do and needed some fresh air anyway, I just invited myself to trail along on his shoot. I operated the Sunbounce a couple of times but I also had some time to fire off a couple of shots of Pieter at work with the Leica M4-2, I borrowed from Wilhelm.

Although I know Pieter’s style pretty well, it was still very interesting to see how he gets those pictures. The other thing that’s always interesting is to see how other photographers interact with their clients. You can’t just copy someone else but there are always a couple of things that are worth trying out to incorporate in your own style.

So what did I learn? No big secrets but the way Pieter directs and poses his subjects is phenomenal. I also really like how he frees his mind and back by working mainly with one camera, one lens and natural light. That might give him less technical options but also lets him work fast and concentrate on the subject.

Assisting fellow photographers benefits both the photographer and the assistant. The assistant learns something and the photographer has an extra pair of hands available. And if he’s lucky he’ll get some very flattering behind-the-scenes pictures when the assistant takes out his Hasselblad and concentrates on the photographer’s best part.

I’m certainly going to assist more in the future. What about you, do you ever assist? What did you learn?

It’s been quiet on my blog. It happened before and it will happen again. Usually this happens just because of a very busy time. But the last months it was not just the heavy workload that kept me from blogging, I went through a very dark time in my personal life. After 10 years of marriage my wife decided to move out. I never saw it coming and it was a very hard kick in the face for someone for whom family is the most important thing in life. I won’t pretend that I understand it all and I don’t feel the need to blog the parts that I do understand.

I just know that I have no choice but to move on and start a new chapter of my life. I’m in the clear with myself and I just try to make the best of it. I have the kids every other week and I miss them like crazy when they are not with me. But I can still be the father that I always wanted to be. After my wife moved out, I decided to take the kids on a trip to the coast to get our minds of the big changes and show them that I’ll always be there for them.

We had such an amazing time and all enjoyed every second of it. Even though it was pretty cold, it was dry and the sun was out most of the time. We also had a lot of good conversations on how we have to go from here both emotionally and practically. I’m so proud of the way the kids handle this. Off-course they feel lost sometimes but they don’t hesitate to talk to me. They also understand my situation really well and help me out so well.

Lately I found myself again. And that’s thanks to the incredible amount of help and support I received from my family and friends. I feel very lucky that I can count on so many great people.

My main concern is being a good dad but to do that I need to figure out how to sort out the many practical and financial challenges I’m facing. I really want to keep the house and the studio but that won’t be easy. I’m going to have to refocus on some parts of my business to increase my income substantially. Some things are still a bit vague but every day my plans take more form. You’ll discover them over the next months and I hope I can count on your patience and support.

I’m so excited, after six months of blood, sweat and tears my Motivational Light DVD is finally available.
Check out the official trailer that Pieter made.

View on YouTube

For more info and purchasing, please visit www.motivationallight.com

We drove ourselves to exhaustion to get it finished but that’s easily forgotten when I look at the end result. The goal was to make a 90 minute instructional DVD, but we ended up with two and a half hours of video about learning how to light. We also tried to squeeze in as much small practical hints and tips as possible. On top of that, there’s an hour of video about how I post processed a number of pictures I shot for the DVD. And then we still have a long section about gear that we just couldn’t fit into the DVD. We’ll release those videos and some more unused footage soon as free online bonus material.

I’m very curious about your reviews, comments and reactions, so please let me know what you think in the comments.
We also would be very thankful if you would help us to spread the news about Motivational Light.

For the last couple of months I’ve been working countless hours on an instructional DVD about lighting. This week we entered the final post processing stage and I’m very thrilled to see all the hard work come together in the editing suite. The DVD should be available worldwide in a couple of weeks. In the mean time, let’s entertain you with some outtakes/bloopers:

View on YouTube

The idea of doing a DVD has been ripening for about two years now. I didn’t want to start it head over heels. Instead I’ve been writing and rewriting the script many times just to make sure that it’s a useful addition to the lighting videos that are already out there.

Here are already a couple of shots we made for the DVD.

More info will follow soon!

Shared fun is doubled fun, so I’m really happy that my friend Pieter also got himself a medium format film camera. I’m sure that if an experienced film shooter would overhear our conversations, he would shake his head but it’s a lot of fun sharing the little knowledge and the bags of bullshit we think we know about film. Pieter got himself a Mamiya C3 which makes my Hassy look like a very modern camera. The Mamiya is even more counter intuitive than the Hassy but at the same time it’s such a nice piece of machinery. Pieter’s first two test rolls didn’t came out so well (ok they weren’t exposed at all) but then he discovered a small dial that solved the problem. So when I visited him for recording the LIME podcast, we went outside and shot another test roll in five minutes.

This is one I made of Pieter:

And this is one he made of me:

Next time we got together, Pieter showed up with a roll of Ilford Delta 3200 (iso) film. Underexposed shots showed a lot of grain after pulling the exposure up during scanning.

But when metered correctly (yes, this is the way to do it), the grain is really fine and actually pleasing:

Here are some more Hassy scans from the kids:

And here’s a pic of my fantastic grandmother who’s still going strong:

I’m really happy (actually I’m jealous) to see what Pieter is squeezing out of his Mamiya. He just started a personal website where he’s posting his non-wedding work like snowboard photography and amazing pictures of puddles.

You’ve already seen the digital shots of my improvised test shoot with Lut. The main goal of this shoot was to test my new lights and modifiers. For that kind of stuff, the instant feedback of digital is certainly very convenient. But I couldn’t resist quickly shooting a couple of rolls of film with the Hasselblad. The pictures didn’t completely came out like I hoped for, but hey, that’s what test shoots are for.

Have a nice weekend!

We get to see some snow pretty much every winter in Belgium but most often that is limited to a couple of days here and there. This winter we got already two pretty lengthy snow stretches (for Belgium). People even get used to it and don’t crash their cars anymore when driving over a snowball. I actually like the snow, beats those rainy, windy winters. But now the snow started to melt at a fast pace, I’m also looking forward to spring because I’m experiencing a bit of the winter blues. I need light, sun and warmth to get my energy levels back to normal.

Getting outside is the only thing that helps, so when fellow photographer Kristof asked me to join him and his friends for a short photowalk, I dragged myself out of my office chair, left all the work at home and enjoyed just being outdoors.

All the pictures where taken with just my 5D mkII and the 50mm except for the last four images, who were shot on my Hasselblad with the 80mm.

It doesn’t happen too often here in Belgium that we get a nice layer of snow that pretty much covers everything. And when it happens it usually doesn’t take more than a few days before it’s gone. So I did absolutely want to do a shoot in the snow.  I had this image in my head of a guy in a suit in the snowy fields. (Don’t ask me why, that’s just the way my chaotic brain works.) My friend David offered to pose so a couple of days ago we went for a quick improvised 20 minute shoot in the fields behind my house.
I could have shot this digitally of course but I’ve been dying to shoot some posed portraits with the Hasselblad.

Loading film into the Hasselblad back is getting better and faster every time. Only this time … ok it’s the second time it happened, I forgot to advance the film after it was loaded. No harm done, just some lost frames but I really need to focus more when shooting film.

Except for the picture above, all the pics were shot with the sun behind David. The snow reacts as a giant Sunbounce giving fill light everywhere.
The vignetting in the picture below looks a bit too much. It looks ok at full size but I really have to watch out when resizing these kind of vignetted pictures.

It was pretty cold, certainly for David in his suit, so we only shot 3 rolls of film. It’s amazing how many kinds of films that exist and all of them have different characteristics. Until now I pretty much bought the films that were available in local stores but I really want to start trying out different films to see which ones suit me best. One of the films I really wanted to test out was Kodak Tri-X. It’s maybe not the technically best film but I discoverd with this shoot that it has a lot of character.

It seems more contrasty and has more grain (which doesn’t have to be a bad thing). When I saw these scans I just had to think about Reservoir Dogs and decided to call David, Mr. White from now on.

And I promise I will post some digital images sometimes soon
Merry Christmas to you all!

Just after I published my previous blog post about how I’m doing with my medium format film camera, the doorbell rang. The DHL guy seemed to be a bit disappointed when “Stephani” turned out not to be a sexy babe but the last name of a fat photographer. I, on the contrary, was pretty excited by his visit because he brought me my new scanner: the Epson Perfection V700 Photo.

I did quite some research about the options to scan the negatives of my Hasselblad 500cm. Once I’ve learned to work with it, I’ll write a more in-depth review about why I choose it and if it is able to meet my (high) expectations. For now, I’ll leave you with some first impressions.

I must admit that I was pretty sceptical when die hard film fans stated that a well scanned medium format negative could hold it’s own against a digital file from a modern DSLR. But now, I’m not so sure about that anymore. I don’t have enough knowledge and experience yet to make a founded statement on that. Too be honest, I don’t even want to spend my time on doing scientific tests to find out what is best. At the moment I think that you can’t really compare film to digital in a completely objective way. It’s like vinyl vs CD, sure a CD is cleaner but the technical quality of vinyl isn’t that bad and it has something that digital lacks: character. Like cd (or iTunes), I believe that digital is probably the best option for most photography but film still has it’s place if you’re after that certain look.

But back to the Epson V700, here are my first impressions:

- The thing is huuuuuge, it looks more like a desktop copier than a scanner. But it doesn’t look out of place next to a trendy Mac.
- It all feels pretty sturdy and professional.
- It comes with adapters for different sizes of film.
- I read some horror stories about these film holders but I found the MF holder to be pretty practical.
- The MF film holder holds 6 square negatives. That’s better for productivity than the 2 I had on my old scanner.
- Preview scanning is pretty fast
- Scanning time at 1200 dpi is rather fast too
- Scanning time at 2400 dpi takes a bit longer, but I’d rather have a slow but good scan than a fast but bad one. I haven’t tested higher resolutions yet.
- I’ve heard lots of good things about the Silverfast SE6 software that came with the scanner. The more advanced version of this software is supposed to be even better but for now I’ll stick to the SE-version. There’s already way more options in it than I can understand. It’s not “dummy”-software (although it probably has some dummy-mode”. That means that I’ll probably have to go through a steep learning curve but if that makes my scans better, that’s time well invested.
- Last observation for now: I’m blown away with the image quality (I bet you saw that one coming).

I only did a couple of test scans last night. The difference with my old scanner is huge. Not only in the resolution but also in the gradations captured. In the picture above, the little girl was a bit blown out. I tried to scan it for safety, so I got a pretty dull grey image that would give me more options for some dodging and burning. But before the dodging and burning, I cleaned up the dust and scratches.
The image below was shot on color film (Porta 400NC) and converted to black and white, I also did some cleaning up and some minor dodging and burning.

Scanned at 2400 dpi the above image of my wife became a 5115 x 5010 pixel image. That’s a pretty big file hey. Below you can see how much detail is present in a 100% crop. I must say that I found that to be pretty impressive.

Now I’m even more desperately looking for some free time to do some test shoots with the Hasselblad.